They can help each other. They are two miserable people who can find happiness in one another. The Skeleton Twins. March of the Penguins 2: The Next Step.
Yunioshi, all you see is Mickey Rooney in hideous yellowface makeup. The Standoff at Sparrow Creek. All the performances are fine of note see Ebsen in his saddest part, as the broken-hearted Doc, but notice too John McGiver's fine salesman at Tiffany's. Little Monsters. The Postcard Killings.
The opening sequence, which shows Hepburn eating pastry and staring through the window at Tiffany's as the melancholy strings of "Moon River" wash over everything, is one of the classic intros in movies and a personal favorite.
First, there is no trace of the original message of the novel I hear that the author was not very happy about film version eitherwhich gives no hint of any sugary-sweet romance at all, and the character of Hollie had been grossly transformed if not mutilated.
Escape Room.
She is also a bit of a social outcast because her "profession" is essentially that of a call girl. Dragon Ball Super: Broly. Her life is a sort of manufactured intellectual recreation, so to speak. Both Peppard and Hepburn are badly damaged people, the fact that they get together albeit awkwardly is a tribute to the magic of movies, but their relationship, full of quiet suffering and little hurts, seems very real to me.